Spark your child’s imagination as they rest their weary heads with a fun ceiling hanging. Why not even create it yourselves? Simply invest in some colourful material, heavy thread and fabric paint and let your creativity run riot.
As a designer, there is nothing more important when telling the story of a shared space, then showing BOTH personalities of a room. It’s OK to break the rules. Symmetry isn’t always best. Meaning, and Intention on the other hand, is what great design is all about. It’s what I have built my entire Design Business on. Image credit
The space might be compact but as a snug sleeping spot it has everything it needs and is given real style with some design-led textiles and accessories. To create the same effect as the walls, try horizontally panelled wall cladding.
Will Fisher and his wife Charlotte of Jamb have completely refashioned their eighteenth-century house in south east London, relaying the wooden antique floors, reproducing the cornicing and installing period chimneypieces and stonework. The couple have done a great deal to bring that much sought-after – but rarely achieved – country-house look to the mainstream aesthetic.
What a view! Admittedly, only a lucky few can call an ocean front bedroom their own. However, this bedroom is not just about the view. In my opinion it perfectly interprets what I call the key elements of successful bedroom design: clean lines and uncluttered surfaces in combination with warm materials, rich textures and soothing colours. Add a few pools of light and you got yourself the perfect recipe for a cosy haven of relaxation. In this particular bedroom they took it a further notch up by adding the element of fire, creating a truly harmonious environment and perfect balance. Image credit
Warm gray walls serve as a blank canvas to accommodate bright furniture and accessories in this little girl’s bedroom. A whimsy upholstered kid’s headboard mimics the shape of a house, and a yellow footboard and mirror add bright color. A hopscotch rug ties the room’s colors together while also providing a fun game to play.
A 1920s French poster hangs above the bed in the main bedroom of Maryam Montague and Chris Redecke’s home in the countryside of Marrakesh. Maryam was responsible for much of the interior, weaving in layers of furniture, fabric, pattern and curios – including jewellery and tribal masks – gathered on countless travel trips.
I love all of these diy ideas an will be using as many in my daughters room – she is 11 an wants a teen room- problem is we live in a single wide trailer- her room is extremely small- I have no idea what to do to make it cool looking an give the wow effect – trying to figure out what colors to paint it so it doesn’t look smaller but give the effect of bigger- walls are Sheetrocked thankfully- she has very small closet an one very wide window– if u or anyone has an ideas or pictures it would be greatly appreciated by both of us–!!! Thank u, Brenda in VT
Near the site of a Sussex country house demolished in 1911, Richard Taylor and Rick Englert have built a Jacobean-style manor at Whithurst Park. It took a year to get planning permission and two more to build. The result is certainly striking and bears some of the signatures of the prodigy houses built in the era that its design evokes, such as Hardwick Hall in Derbyshire and Hatfield House in Hertfordshire. But as Kit explains, ‘It was the site itself and essence of Sussexness that made me design it as I did.’
The Pink Room in Bradwell Lodge is fun, feminine and fancy. A bold Bernard Thorp fabric, ‘Brimble’, has been used on the walls and bed, and for the blind: this creates a lovely sense of continuity in the space.
Try incorporating bright florals into a girl’s bedroom scheme. Here, a combination of mismatching pinks and reds featuring in wallpaper, curtains and soft furnishings create a cohesive but informal look.
Tasked with reconciling twenty-first century living with the Victorian proportions of the terrace house, the interior designer reconfigured ground floor and linked the spaces with modern textures and pristine finishes.
but i did love the vareation in room colours and layouts and i aggre with sandy she speeks with such wizdome and no afence fey but your not looking and the big picture althought you only found 2 that you liked and i l only found 3 that i liked i bet you and i didn’t like the same ones so it’s good to have a range, for everyone to look and love.
I’m 10 & my room has looked like what it is 3. Some of these rooms are awesome ( i would love a built in loft), but come on how long is ur room gonna stay like that? I love some of the rooms, but some r like insanly to neat.
Keep the overall palette calm and soft with different shades of warm grey on the walls, floor and furniture. A burst of yellow on the pillowcases and occasional bedroom chair keep the look vibrant without becoming too much. Embroidered and patterned cushions in black and white are a pretty finishing touch.
WALLS Patina and specialist colour-matching, £55 a square metre, by Elise Orrier. Similar eighteenth-century giltwood mirror, £575, from M Charpentier Antiques. ‘No 121’ bronze wall light, £2,900, from La Maison Charles. Rope and raffia wall light, by Audoux-Minet, £600 for a pair, from Atelier Vime. FURNITURE Wicker headboard, from £800; ‘Ollivier’ metal and rattan side table, £520; both from Atelier Vime. ACCESSORIES ‘Madrigal’ waterlily soap, by Claus Porto, £16, from Cologne & Cotton. ‘Bistrot’ nickel and ceramic soap dish, £297.60, from The Water Monopoly. ‘Malmaison’ silver tray, £1,253; and teaspoons, £50 each; all from Christofle. Similar silver coffee pot, £900, from Linden & Co. ‘Losanges’ porcelain teacups and saucers, £71.42 each, from Royal Limoges. Pillowcases and sheet, ‘Emilie’, by Nicole Fabre Designs, linen, £189 a metre, from Tissus d’Hélène. ‘Seraphine’ hand-embroidered kingsize cotton flat sheet, £175, from Cologne & Cotton. Eighteenth-century French linen cushions, £590 for a pair, from Katharine Pole. ‘Tarascon’ linen quilt with cotton filling, £550, from Christopher Moore.
In this London house designed by Suzy Hoodless, the children’s rooms were kept graphic and simple; Suzy hates ‘cute’ decoration that they will quickly grow out of – she has used a Børge Mogensen cabinet as a changing table in her own home. So the only concession she made to the children’s ages was bright primary colour. In one of the rooms a custom-designed mural has been painted on the wardrobe door.