These wall stickers are cut from high quality transparent vinyl. No white edges.Stickers are fully removable and repositionable however the stickiness are reduced each time you resuse them.Easy to app…
As much as possible, Anne-Marie tried to match the wall colours to those that her grandmother had used, keeping the bedrooms the same subtle colours, while adding ‘ribbons’ of colour to outline the architecture and ‘dress the room’.
Cue the drama! Dark and romantic, our hand-painted Dolly Heads punctuate your decor with bold and beguiling glamour. A charming addition to your desk, dresser or bookcase, they’ll bring vintage, vaudeville-inspired design. Inspired by her own bedroom as a …
The main bedroom of this London flat is particularly sumptuous, with its flower-trail Braquenié wallpaper, figured cotton Fortuny bedspread and strawberry-silk cushions – a lesson in how to make a potentially gloomy space glow (the space was a former Victorian hospital building). The flat is the work of antiques dealer and interior designer Max Rollitt, who found the bird pictures hung above the bed in an antiques shop. If you don’t have the same eagle eye, try reproduction prints from Surface View. Dimensions and prices vary for each print, but start roughly at 90 x 60cm and £175.
Flea market furniture is a great fit for a tween girl’s room due to its affordability and timeless appeal. This Victorian dresser was picked up for $50, updated with two coats of glossy plum paint, then given a touch of whimsy with satin brass house numbers used as drawer pulls.
The brief for this Paris bedroom was suitably intangible: she asked to be transported into another world. For decorator Jorge Estevez, who specialises in painting, it was vital his decorations were subtle so she wouldn’t tire of them, and also that there was ‘a feeling of the walls having been there before her’. The result is blissfully peaceful: in the bedroom, rough, eggshell-grey walls are painted with the most delicate of details to provide interest, and barely there friezes frame the doorway. The bedhead was made from an old door found in Brussels.
Patterns are a recurring theme in Tarquin and Isobel Bilgen’s house; they beautifully match the beams that line the wall in their bedroom. Joss Graham is a good port of call for unusual fabrics; their embroidered horse cover from Uzbekistan (£2,800) dates from about 1900 and would work well as a bedhead. Similarly, an 18th-century French quilt from Katharine Pole (£1,850) is a close match to the Bilgen’s bedcover, made with fabric from Bennison.
Bedrooms aren’t just for sleeping anymore. This hanging bubble chair provides a unique place to read and study, as well as the girls only ladder-accessible secret hideout. To keep this spacious bedroom from getting cluttered, designer Randy Weinstein added plenty of storage options, from the modern open bookshelf to the built-in closet organizer.
Keeping your beauty supplies on hand is no problem with the help of our beauty organizers and jewelry boxes. Separate rings, necklaces and earrings in a velvety-soft jewelry box to make picking them out each morning quick and easy. Lipsticks and blushes find a home inside our beauty organizers. Options like our mini vanity and beauty organizer shelves let you get a bird’s eye view at what you need with just a glance. Secure-closure cases ensure that you can take your supplies along with you whenever it’s necessary.
I love this bedroom – it was one of the first I designed and the brief was to create an elegant and serene sanctuary. The soft Cornforth White walls combined with the decadent wallpaper by Tapet Café really do complement one another and create a very soothing mood. The Vogue print adds the perfect ‘pop’ of colour and the large mirror reflects a lot of light into the space. The chandelier by Verner Panton completes the look and adds decadence. Image credit
WALLS ‘Roman Emperor Intaglio Cases’, by Bridie Hall, £455 each, from Pentreath & Hall. FURNITURE Ebonised wood George III-style dining chair, £1,800 a pair, from Guinevere. ‘Courtesan’ lacquered pine four-poster bed, by Pedro da Costa Felgueiras, £9,250 excluding mattress, The New Craftsmen. ‘Spear Trophy’ cast-iron table, £5,400, from Cox London. Nineteenth-century painted-wood and velvet stool, £5,900, from Rose Uniacke. ACCESSORIES ‘A4 Bookcloth Boxfile’ (pink), £28.50, from Pentreath & Hall. Silk-covered notebook (aqua), by Shepherds Bookbinders, £75, from The New Craftsmen. ‘Vienna’ (flamenco) bed curtain fabric, cotton velvet, £170 a metre, from de Le Cuona. Linen bedding, from £48 for a pillowcase, from Larusi. Velvet cushions, £65 each, from Kirsten Hecktermann. Cashmere throw (antique gold), by Begg & Co, £695; velvet ‘End of Bed Quilt’ (slate), by Niki Jones, £199; both from The Conran Shop. ‘Column’ brass and glass lamp base (pink), £450; ‘Orange Flame’ silk lampshade, by Melodi Horne, £310; both from Pentreath & Hall. ‘Jour’ glass, by Inga Sempé (aqua), £30 a pair, from Nude. Chinese oxblood-glazed porcelain ginger jar (used as vase), £550, from Guinevere.
Relocating to Oxford after 15 years in Japan and Hong Kong, the owners of this Victorian house put together a team of experts to create a mostly open-plan layout full of intriguing design details. Despite the architectural strength, the house unfolds slowly, allowing the eye to pick up intricate details and layered textures as you wander through. It is a scheme that strikes the balance between formal and family living in the brief to American interior designer Susan Ferrier of McAlpine. The main bedroom is decorated in a muted neutral scheme.
The blind and headboard have been made in a matching fabric – a cost-effective trick for adding a punch of pattern to a bedroom. The blind is prettily trimmed in Samuel & Sons pom-poms. A window sill has been turned in to a reading nook with a padded cushion.
The attic of Kate Earl’s charming 1920s chalet in the French Alps is the children’s domain, and every bit as thought through and sophisticated as the rest of the house, yet fun. Up there is this tiny second bedroom, with one bed ingeniously built in under another, in an L-shape configuration under painted-pine ceilings.